ARTIST BOOKS

Images du Labyrinthe : L’atelier surréaliste. Carte blanche à Audrey Guttman, 2024, 32 p., 21 x 24 cm.

Written and edited by Audrey Guttman

Published by Christie’s Paris.

Includes a centerfold that can be used as a board to play Surrealist Snakes and Ladders, two detachable pawns, two detachable postcards, Surrealist word games, and eight poems by the author.

More photos coming soon.

Doll House Blues, 2024, 40p, 21 x 15 cm.

Published by Galerie Mighela Shama.

Limited edition of 200 copies + 10 deluxe copies with collages, stamped and numbered.

I’ll Be Your Mirror, 2022, 40p, 24 x 18,5 cm.

Published by Ketabi Projects. Text by Boris Bergmann, graphic design by Lily Allegra.

First edition of 300 copies.

Al di là del volto (Beyond the face), 2021.

Published by Futura, Pietrasanta. Text by Chiara Vecchiarelli.

Laddove Gli Anni Non Girano Le Pagine (Where the Years Do Not Turn The Pages), 2021.

Published by Gli Ori Editori. Leporello format. Text by Maddalena Pelù.

Making Arrangements, 2020, 36p, 52 x 37 cm open, 37 x 27 cm closed.

Limited edition of 250 signed and numbered copies. Includes a centerfold that can be pulled apart into a standalone poster & framed. Sustainably printed in Paris on newspaper presses, using durable paper & solvent-free ink.

« In Making Arrangements, Audrey Guttman combines collages and poems she has written. This is the first time that the artist has brought the two mediums together. One exists without the other, but together they are complementary. The words are supported by images that the artist takes care to leave in a state as close to their original nature as possible. Swathes of bright colour act as vases for the black-and-white floral arrangements. Audrey Guttman’s arrangements work based on contrast: between untamed nature and the ordered nature of ikebana, a highly codified art that is shaken up by the artist, and between plants and humans, with plants acting as characters and human bodies adopting the whimsical nature of flowers. » - Rebecca Zissmann in PEN Magazine